An Aesthetics of Chinese Calligraphy
Datos Bibliográficos
| ID | 4079544 |
|---|---|
| Autores | Xiongbo Shi (0000-0001-6991-6824, Lanzhou University of Technology, autor de correspondencia) |
| Año | 2023 |
| Volumen | 18 |
| Número | 5 |
| Fecha de publicación | 2023-05-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Philosophy Compass (JOURNAL) |
| Identificadores de la revista | ISSN: 1747-9991 • E-ISSN: 1747-9991 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/phc3.12912 |
| OpenAlex | W4379796755 |
| Idioma | EN |
| Citas recibidas | 3 |
| Referencias citadas | 19 |
This article introduces the aesthetic significance of Chinese calligraphy, one of the highest art forms in China. It focuses on three major aesthetic concerns manifested in classical texts on this art. First, Chinese art theory stresses that the forms (xing) of successful calligraphic works are never static; rather, they should be filled with internal force (shi). Second, calligraphic creation can be understood as a psychosomatic process, that is, involving coordination between the mind and the hand. Third, appreciation of Chinese calligraphy is identified with the process of reconstructing the calligrapher's creation of the work, which is analogous to Richard Wollheim's identifying criticism as retrieval. The last section examines the concept of qi and discusses what kind of aesthetic considerations encourage us to make a connection between Chinese calligraphy and abstract art
Aesthetics · Art · Calligraphy · China · Chinese art · Painting · Visual arts · Color perception and design · Computer Science · Creativity in Education and Neuroscience · Digital Media and Visual Art · History
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 1,5 |
| Intervalo de citas | 2024 - 2025 (2) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |