Objet peint et objet déposé auprès du défunt, même fonction
Le cas des tombes paestanes à l’époque classique
Bibliographic Data
| ID | 4082825 |
|---|---|
| Authors | Laura Angot (corresponding author) |
| Year | 2014 |
| Issue | 94 |
| Pages | 159-170 |
| Publication date | 2014-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pallas (JOURNAL) |
| Journal identifiers | ISSN: 0031-0387 • E-ISSN: 2272-7639 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/pallas.1617 |
| OpenAlex | W259926393 |
| Language | FR |
| Citations received | 1 |
| References cited | 7 |
In the fourth century BC, Paestum, Greek and Lucanians coexist peacefully. The city know cultural influence through the important development of pottery and the multiplication of painted tombs, all of which confirm the strenghthening of the Lucanian aristocracy. Through these funerary parietal paintings various scenes show the daily, sports or cultural practice of the city inhabitants. But there are also simple representations of objects whose value is precisely to determine their own value and/or complementary to that of other frescoes, stored funerary goods or the gender of the buried person
Art · Humanities · Ancient Egypt and Archaeology · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.2 |
| Citation span | 2021 - 2021 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |