Réflexions autour des Phéniciennes d'Euripide. Entre Vrai et Faux, une poétique de l'œuvre ouverte
Bibliographic Data
| ID | 4082910 |
|---|---|
| Authors | Brigitte Daries-Berdery (corresponding author) |
| Year | 2013 |
| Issue | 91 |
| Pages | 61-72 |
| Publication date | 2013-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pallas (JOURNAL) |
| Journal identifiers | ISSN: 0031-0387 • E-ISSN: 2272-7639 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/pallas.389 |
| OpenAlex | W1549850321 |
| Language | FR |
| Citations received | 1 |
| References cited | 10 |
In Euripides’ Phenicians, the cursing of the Labdacides asserts itself as a truthful word which the characters, through lying and dodges try to deny. They thus resort to all the resources of the logos in an attempt to escape the inexorable, and that in vain, thereby revealing their tragic inability to tell the truth, the right. Beyond that game of dupes, however, the staging of the drama allows us to see and feel, in the truthfulness of gestures and images, the complexity of the world as seized by the poet
Art · Humanities · African history and culture analysis · Archaeology and Historical Studies · Diverse Cultural and Historical Studies · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2018 - 2018 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |