Diversité des regards dans l'imagerie attique
Capturer du regard, pour un logos visuel (viiie-ve)
Bibliographic Data
| ID | 4083060 |
|---|---|
| Authors | Pascale Jacquet-Rimassa (corresponding author) |
| Year | 2013 |
| Issue | 92 |
| Pages | 29-42 |
| Publication date | 2013-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pallas (JOURNAL) |
| Journal identifiers | ISSN: 0031-0387 • E-ISSN: 2272-7639 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/pallas.83 |
| OpenAlex | W1560129918 |
| Language | FR |
| Citations received | 3 |
| References cited | 2 |
As early as the beginning of the VI c. B.C., the Athenian painters concerned themselves with the intensive representation of the look of the characters, thus creating an interplay of intra-and extra-iconic relationships. The eye grows more and more expressive, in particular when the painters forsake the conventional face eye in a face in profile, for a profile eye, supposing a real visual exchange. From now on, the looks converge or avoid one another in an occasionally dramatic intensity. This visual mastery that can be dated from the beginning of the “free” style manages to provide the onlookers with images fraught with emotion and tension in which the expression of feelings can henceforth fully express itself. From then on the lines of the looks structure the scenes and constitute a real visual logos
Art · Humanities · Diverse Cultural and Historical Studies · French Urban and Social Studies · Historical and Scientific Studies
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,6 |
| Citation span | 2021 - 2022 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |