And the Devil Marches with Us
Aesthetics and Accelerationism in the Order of Nine Angles
Bibliographic Data
| ID | 4087280 |
|---|---|
| Authors | Mathieu Colin (0000-0002-2790-6713, Université de Sherbrooke, corresponding author) |
| Year | 2025 |
| Volume | 37 |
| Issue | 5 |
| Pages | 687-706 |
| Publication date | 2025-07-04 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Terrorism and Political Violence (JOURNAL) |
| Journal identifiers | ISSN: 0954-6553 • E-ISSN: 1556-1836 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/09546553.2024.2365749 |
| OpenAlex | W4400198160 |
| Language | EN |
| Citations received | 1 |
The Order of Nine Angles (ONA) is a complex group whose influence in far-right circles has been growing in recent years. Founded in the late 1960s in Britain, its writings are part of the accelerationist trend and blend a variety of ideological influences. This article aims to better understand the particular form its ideology takes through its aesthetics. I posit that ONA is best understood as a meta-ideology rooted in eschatology, dystopia and ultraviolence, whose visual and discursive material can be employed by a wide range of actors in the accelerationist milieu through a discourse of ultimate transgression
Aesthetics · Art · Economics · French Literature and Criticism · Renaissance Literature and Culture · Shakespeare, Adaptation, and Literary Criticism
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2026 - 2026 (1) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |