The Relationship Between A-lce lha-mo Troupes and Their Sponsors
Bibliographic Data
| ID | 4106458 |
|---|---|
| Authors | Dikey Drokar (corresponding author) |
| Year | 2008 |
| Volume | 10 |
| Issue | 2 |
| Pages | 211-244 |
| Publication date | 2008-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Inner Asia (JOURNAL) |
| Journal identifiers | ISSN: 1464-8172 • E-ISSN: 2210-5018 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/146481708793066677 |
| OpenAlex | W2086301703 |
| Language | EN |
| References cited | 3 |
This paper provides an introduction to A-lce lha-mo, also called 'Tibetan Opera', an ancient form of performing art as currently practised in Tibet. It explores the strategies used to reconstruct this tradition in different contexts and looks at various structures of patronage through the example of three troupes currently performing in Tibet
Aesthetics · Art · Opera · Visual arts · China's Ethnic Minorities and Relations · History · Southeast Asian Sociopolitical Studies · Vietnamese History and Culture Studies
| Highly cited | No |
|---|