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Star Trek in the 1960s

Liberal-Humanism and the Production of Race

Bibliographic Data

ID4107856
AuthorsDaniel Bernardi (0000-0003-4495-2575, corresponding author)
Year1997
Volume24
IssuePart 2
Pages209-225
Publication date1997-07-01
Open AccessNo
TypeARTICLE
VenueScience Fiction Studies (JOURNAL)
Journal identifiersISSN: 0091-7729 • E-ISSN: 2327-6207
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/sfs.24.2.0209
OpenAlexW4409426046
LanguageEN
Citations received3

This essay uncovers and critiques the relationship between the meaning of race and the liberal-humanist project in Star Trek. While there are no doubt many factors informing this relationship, it concentrates on the activities of institutions and decision-makers responsible for the making of the series. This includes NBC, the network on which the series aired, Gene Roddenberry, the creator and executive producer, as well as various writers, directors, and actors. These "authors" were consciously and thus intentionally involved in a liberal-humanist project very much mindful of such 1960s experiences as the civil rights movement, the anti-war movement, and the Cold War. Contrary to what is commonly said about this sf series, the essay argues that Star Trek's liberal-humanist project is exceedingly inconsistent and at times disturbingly contradictory: it often participates in and facilitates racist practice in attempting to imagine what Gene Roddenberry called "infinite diversity in infinite combinations." (DB

Art · Art history · Astrophysics · Economics · Humanism · Literature · Physics · Production (economics) · Race (biology) · Sociology · Star (game theory) · Star trek · Theology · Gender Studies · Gothic Literature and Media Analysis · Literature, Film, and Journalism Analysis · Philosophy · Religious studies · Utopian, Dystopian, and Speculative Fiction

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Citations per year0.16
Citation span2007 - 2024 (18)
Highly citedNo
Open DOI
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