Extrañamiento y desencanto. La mirada de documentalistas alemanes sobre la transición democrática argentina
Bibliographic Data
| ID | 4110318 |
|---|---|
| Authors | Paola Margulis (0009-0007-1063-9827, Portuguese Joint Command and Staff College, corresponding author) |
| Year | 2018 |
| Issue | 15 |
| Pages | 35 |
| Publication date | 2018-11-12 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | PragMATIZES - Revista Latino-Americana de Estudos em Cultura (JOURNAL) |
| Journal identifiers | ISSN: 2237-1508 • E-ISSN: 2237-1508 |
| Publisher | Pro Reitoria de Pesquisa, Pos Graduacao e Inovacao - UFF (PUBLISHER) |
| DOI | 10.22409/pragmatizes.v0i15.10523 |
| OpenAlex | W2944618149 |
| Language | ES |
| References cited | 1 |
The present article examines the perspective of two German filmmakers on the process of democratic transition in Argentina through an analysis of two documentaries: De l’Argentine / De la Argentina/ For example Argentina (Werner Schroeter, 1983-1985) and Kreuzzuggegen die Subversion / Panteónmilitar (Wolfgang Landgraeber, 1991). These films denounce different aspects of Argentina’s traumatic past, focusing on the difficulties that, during the 1980s and beginning of the 1990s, the Argentinean State was encountering to condemn crimes against humanity committed during the last military dictatorship. The approach to these documentaries will have as its main objective a study of the cinematographic take on the “disenchantment” that deepened among wide sectors of the society after the statutes of limitation on military trials. Key Words: .Cinema; Documentary; Argentina; Dictatorship, Transition to democracy
Art · Art history · Democracy · Dictatorship · Disenchantment · German · Humanities · Movie theater · Political science · Politics · Subversion · Cinema History and Criticism · History · Law · Memory, violence, and history · Spanish Culture and Identity
| Highly cited | No |
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