Sharing knowledge
Performing co-production in collaborative artistic work
Bibliographic Data
| ID | 4139099 |
|---|---|
| Authors | L Richardson (0000-0002-6213-785X, Department of Geography, University of Cambridge, corresponding author) |
| Year | 2016 |
| Volume | 48 |
| Issue | 11 |
| Pages | 2256-2271 |
| Publication date | 2016-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Environment and Planning A Economy and Space (JOURNAL) |
| Journal identifiers | ISSN: 0308-518X • E-ISSN: 1472-3409 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0308518x16653963 |
| OpenAlex | W2411216797 |
| Language | EN |
| Citations received | 16 |
| References cited | 62 |
This article puts forward co-production as a lens for geographical approaches to collaborative knowledge production. Co-production extends understandings of collaboration as temporary, fragile and with multiple spatial forms. Through the example of creative writers' artistic knowledge, co-production is developed as a process of making together that involves intermittent spaces of sharing and cooperation between different actors beyond and across firm organisational boundaries. It is argued that the formal and informal mixing of these actors requires focusing on the micro-spaces of co-production that show how sharing knowledge occurs through forms of emotional work. Drawing on interviews with writers and participant observation of creative writing practices in Bristol, three spaces of co-production are outlined: the workshop, the project and the event. These highlight the geographies of emotions in such co-production, in particular the role of trust which is significant in, but also beyond, face-to-face encounters. The article concludes by pointing to the implications of the research
Business · Co-Creation · Economics · Face (sociological concept) · Knowledge creation · Knowledge management · Knowledge production · Knowledge sharing · Participant observation · Process (computing) · Production (economics) · Social science · Sociology · Work (physics) · Computer Science · Cultural Industries and Urban Development · Engineering · Management and Organizational Studies · Marketing · Participatory Visual Research Methods
“Do We Have Lift-Off?” Social Media Marketing and Digital Performance at a British Arts Festival
Unfinished sympathy
The Paradox of Artificial Creativity
A theory of co-production as joint household production with illustrations from the arts
Artistic careers in the cyclicality of art scenes and gentrification
Resharing the city
Cultivating fertile learning grounds
Buzz and tranquility, what matters for creativity? A case study of the online games industry in Shanghai
Beyond words – the potential of arts-based research on human-nature connectedness
‘I have so little time […] I got shit I need to do’
The Tetris office
I've never told anyone this before”
What’s in a hyphen? Insights from the field on co-production as methodology
In the making
The limits to openness
Planning working futures
Architectures of Knowledge
It takes Two to Tango? Understanding the C o‐production of Public Services by Integrating the Services Management and Public Administration Perspectives
(How) Do (Firms in) Clusters Create Knowledge?
Outside Innovation at the BBC
States of Knowledge
Creating Conditions for Participation
Negotiating conventions and creating community
Epistemic communities, localization and the dynamics of knowledge creation
Distance as asset? Knowledge collaboration in hybrid virtual communities
Exploring the role of industry intermediaries in the construction of ‘Local Pipelines’
Innovation in a creative production system
Accessing remote knowledge--the roles of trade fairs, pipelines, crowdsourcing and listening posts
Self-organizing innovation networks, mobile knowledge carriers and diasporas
Cultural economic geography and a relational and microspace approach to trusts, rationalities, networks, and change in collaborative workplaces
Co-creative labour
Craft labour and creative industries
Learning in Projects, Remembering in Networks
Independent artist-run centres
Cultural economy and the creative field of the city
Is geographical proximity necessary in the innovation networks in the era of global economy
Building Trust in Economic Space
Clusters and knowledge
Organizations in the making
The cultural economy
Collaborative and Collective
Cultural Intermediaries in the Digital Age
Does Temporary Geographical Proximity Predict Learning? Knowledge Dynamics in the Olympic Games
Learning in ‘Organized Anarchies’
Substitution or Overlap? The Relations between Geographical and Non-spatial Proximity Dimensions in Collaborative Innovation Projects
Between Luminaires and Meat Grinders
Cool Projects, Boring Institutions
Networked Coproduction of Public Services in Virtual Communities
Good Faith Collaboration
Risk and trust in the cultural industries
Local, global and virtual buzz
Interaction in the artistic knowledge creation process
Spacing organization
On the creative (re)turn to geography
Recovering inspiration in the spaces of creative writing
Beyond Engagement and Participation
Knowledge Practices in Design
Geographies of making
On the Role Played by Temporary Geographical Proximity in Knowledge Transmission
Proximity and Innovation
Sociological Perspectives on the Economic Geography of Projects
Cyclical Clusters in Global Circuits
Creating the Right 'Vibe
Cracks in the Creative City
Fragile Sector, Robust Practice
Virtual infrastructures of habit
The art studio as archive
Geographies of performing scripted language
Constructing an artistic identity
| Unique citing works | 16 |
|---|---|
| Citations per year | 2 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 16 |