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Helter Skelter

An American Myth

Bibliographic Data

ID4154795
AuthorsJon Lewis (Oregon State University, Corvallis, Oregon, corresponding author)
Year2021
Volume108
Issue1
Pages222-224
Publication date2021-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of American History (JOURNAL)
Journal identifiersISSN: 0021-8723 • E-ISSN: 1945-2314
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jahist/jaab057
OpenAlexW3175478969
LanguageEN

August 9, 1969. A story begins to circulate about murders at a house in the 90210, a Beverly Hills address in the tony Benedict Canyon neighborhood: an heiress and her jet-setter boyfriend, a celebrity hairdresser, an up-and-coming actress, and a teenager in the wrong place at the wrong time. On the tenth, in the Los Feliz neighborhood due east of Cielo Drive: another home invasion and two more killings. The news spreads quickly but not always helpfully or accurately. There are conflicting accounts—most of them pinned on the notion that the more sinister aspects of counterculture Los Angeles have come home to roost. “I remember all of the day's misinformation very clearly,” Joan Didion wrote in her 1979 essay, “The White Album,” “And I also remember this, and I wish I did not: I remember that no one was surprised” (Joan Didion, The White Album, p. 42, emphasis

Art · Art history · Counterculture · Misinformation · Mythology · Political science · Shot (pellet · White (mutation · Classics · History · Latin American and Latino Studies · Law · Race, History, and American Society

Citation velocityhistorical
Highly citedNo

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