Houston Bound
Culture and Color in a Jim Crow City
Bibliographic Data
| ID | 4157431 |
|---|---|
| Authors | Thomas A Castillo (Coastal Carolina University, corresponding author) |
| Year | 2017 |
| Volume | 104 |
| Issue | 2 |
| Pages | 522-523 |
| Publication date | 2017-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of American History (JOURNAL) |
| Journal identifiers | ISSN: 0021-8723 • E-ISSN: 1945-2314 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/jahist/jax246 |
| OpenAlex | W2748427325 |
| Language | EN |
| Citations received | 10 |
Tyina L. Steptoe's Houston Bound attempts to tell the story of racial formation during the Jim Crow era, a periodization that appears to encompass the years between World War I and 1945 but sometimes expands before and after. In fact, the most interesting section of the book, “Multilingual Rhythm and Blues,” covers the post–World War II period. Her passion for the musical traditions circulating through Houston is apparent, particularly in her discussion of the history of the genres of blues, la-la music, jazz, orquesta, and, especially, zydeco. The book's focus is on black Houston—including all hues and cultural migratory backgrounds—though there are extended discussions of ethnic Mexicans and brief mentions of other groups such as Jews and Italians. Anglos are also included as the blanket oppressors (racists such as the Ku Klux Klan member Billie Mayfield are given ample exposure), except when they were white musicians interested in musical exploration. Unfortunately, the book seems imbalanced in its use of primary and secondary sources, in its analysis, and even in its organization. The author mystifies race, inexplicitly finding complexity and profundity in nearly any instance of social history, and terms such as transnational and borderland are only superficially developed
Aesthetics · Ancient history · Art · Art history · Blues · Ethnic group · Jazz · Literature · Musical · Passion · Period (music · Periodization · Sociology · White (mutation · Anthropology · Color perception and design · Gender Studies · History · Psychology · Social Psychology
Sunbelt
Zora Neale Hurston’s Their Eyes Were Watching God
Race Brokers
Place, Space, and Racially Unequal Exposures to Pollution at Home and Work
The Successive Nature of City Parks
Circling the Herd
Lydia Mendoza’s moving homelands
Gender, Clothing Fasteners, and Dress Practices in Houston’s Freedmen’s Town, ca. 1880–1904
An Archaeology of Chicago Archaeology
Black Spatial Storylines
| Unique citing works | 10 |
|---|---|
| Citations per year | 1,11 |
| Citation span | 2017 - 2024 (8) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 10 |