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Shaker Fever

America's Twentieth-Century Fascination with a Communitarian Sect

Bibliographic Data

ID4157501
AuthorsJames Hudnut-Beumler (Vanderbilt University, Nashville, Tennessee), James Hudnut‐beumler (Vanderbilt University, corresponding author)
Year2022
Volume108
Issue4
Pages858-859
Publication date2022-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of American History (JOURNAL)
Journal identifiersISSN: 0021-8723 • E-ISSN: 1945-2314
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jahist/jaac076
OpenAlexW4210726306
LanguageEN

The Shakers, a small, communal, and celibate pietistic sect of Christianity, were already in serious decline when, in the years 1925 to 1965, they were rediscovered and made to represent what various twentieth-century American actors saw in them. This is the phenomenon explored exceedingly well by William D. Moore in Shaker Fever, a book that, like the Shaker enthusiasts themselves, tells us more about the middle decades of the twentieth century than about the Shakers. First came the collectors, who simply wanted to possess historically significant objects, or, like the driven Faith Andrews and Edward Deming Andrews, wanted to be the leading experts on the Shakers through their material culture. Soon came the artists and designers, who saw in Shaker furniture and objects the foretaste of modern design's clean lines and emphasis on use. Then came dramatic and dance productions that performed the Shakers, often with sexual undertones or

Acoustics · Art · Art history · Dance · Faith · Literature · Phenomenon · Sect · Shaker · Theology · Fashion and Cultural Textiles · History · Mormonism, Religion, and History · Philosophy

Citation velocityhistorical
Highly citedNo

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