The art of improvisation and the aesthetics of imperfection
Bibliographic Data
| ID | 4158938 |
|---|---|
| Authors | A Hamilton (0000-0001-7242-5209, Durham University, corresponding author) |
| Year | 2000 |
| Volume | 40 |
| Issue | 1 |
| Pages | 168-185 |
| Publication date | 2000-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/bjaesthetics/40.1.168 |
| OpenAlex | W1965069327 |
| Language | EN |
| Citations received | 11 |
Soulignant l'importance de l'improvisation en jazz a travers le temoignage de B. Evans, le pianiste de M. Davies en 1959 pour «Kind of blue», l'A. reprend la definition d'une esthetique de l'imperfection chez T. Gioia, et met en lumiere la pertinence de la distinction que celui-ci etablit entre l'art de l'improvisation comme regne de la spontaneite et l'art de la composition comme esthetique de la perfection
Aesthetics · Art · Improvisation · Visual arts · Musicology and Musical Analysis
Why is Style Not in Fashion? Using the Concept of “Style” to Understand the Creative Industries
What Is Wrong with Aesthetic Empiricism? An Experimental Study
Topiary
Aesthetic Aspects of Unauthorised Environmental Interventions
Improvisational mistakes
The Aesthetics of Electronic Dance Music, Part II
Improvisation as a Method of Composition
Intersections in Law, Culture and the Humanities
Improvisation in the Arts
L'oralité avec impertinence
A Phan on Phish
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,48 |
| Citation span | 2003 - 2025 (23) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 11 |