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Definition of Fiction

State of the Art

Bibliographic Data

ID4159518
AuthorsDavid Davies (0000-0002-7573-2762, corresponding author)
Year2022
Volume62
Issue2
Pages241-255
Publication date2022-06-04
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe British Journal of Aesthetics (JOURNAL)
Journal identifiersISSN: 0007-0904 • E-ISSN: 1468-2842
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/aesthj/ayab072
OpenAlexW4205884321
LanguageEN
Citations received3
References cited17

In his 2014 book Fiction and Narrative, Derek Matravers mounts a concerted attack on what he terms the ‘post-Walton consensus’ as to the features that distinguish fiction from non-fiction. He takes those who subscribe to this consensus to be committed to the following claims: ... Matravers argues (2014, 30ff) that imagination, so conceived, cannot be distinctive of fictions because ‘what goes on in the reader’s head’ in reading non-fiction involves just as much imaginative activity as what goes on in reading fiction. I shall return to Matravers’ claims later. First, however, I want to briefly clarify (i) why some kind of consensus emerged on the first of these claims, and (ii) the spectrum of different views that might be taken to fall within such a consensus. I shall then look at a number of challenges to the ‘consensus view’, both comprehensive and more local, and at how those theorists who endorse a notion of ‘fiction-making’ that encompasses a prescription to imagine certain things might respond to these challenges

Aesthetics · Art · Close reading · Epistemology · Fiction theory · Linguistics · Literary criticism · Literary fiction · Literature · Narrative · Reading (process · State (computer science · Techno-thriller · Computer Science · History · Law in Society and Culture · Misinformation and Its Impacts · Narrative Theory and Analysis · Philosophy

  • Why Disinformation, Fake News, and Conspiracy Theories are not Fiction

    Open Access•Lena Wimmer•Review of Philosophy and Psychology•2025

  • Refugee hybrid fiction

    Open Access•Giacomo Toffano, Kevin Smets•Crossings Journal of Migration…•2023

  • Fiction and Epistemic Value

    Open Access•Mitchell Green•The British Journal of Aesthetics•2022

  • Truth, Fiction, and Literature

    Peter Lamarque, Stein Haugom Olsen•Truth, Fiction, and Literature•1996

  • The Nature of Fiction

    Open Access•Gregory Currie•Nature of Fiction•1990

  • Only Imagine

    Kathleen Stock•Only Imagine•2017

  • Documentaries and the fiction/nonfiction divide

    Manuel Garcia-Carpintero•Studies in Documentary Film•2021

  • Categories of Art

    Kendall L Walton•The Philosophical Review•1970

  • Fictional Truth and Fictional Authors

    D Davies, D B Davies•The British Journal of Aesthetics•1996

  • The Logical Status of Fictional Discourse

    John R Searle•New Literary History•1975

  • On the Nature of Fiction-Making

    Open Access•Manuel Garcia-Carpintero•The British Journal of Aesthetics•2019

  • Fictive Utterance and the Fictionality of Narratives and Works

    David Davies•The British Journal of Aesthetics•2015

  • Norms of Fiction-Making

    Manuel Garcia-Carpintero•The British Journal of Aesthetics•2013

Unique citing works3
Citations per year0,75
Citation span2022 - 2025 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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