Counting Fragments, and Frenhofer's Paradox
Bibliographic Data
| ID | 4159709 |
|---|---|
| Authors | P Livingston (Aarhus University Hospital, corresponding author) |
| Year | 1999 |
| Volume | 39 |
| Issue | 1 |
| Pages | 14-23 |
| Publication date | 1999-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/bjaesthetics/39.1.14 |
| OpenAlex | W2009375855 |
| Language | EN |
| Citations received | 10 |
It is quite common to draw a distinction between complete and unfinished works of art. For example, it is uncontroversial to think that Vermeer had actually completed View of Delft before inept restorers added layers of coloured varnish to give the picture an antique quality, and there is very good evidence to support the related claim that the artist had not finished the work before he effected several pentimenti, including the painting over of a figure in the foreground on the right. Such beliefs oriented a costly and elaborate restoration that was begun in 1994 and terminated two years later
Art · Art history · Sociology · Philosophy · Visual Culture and Art Theory
Chapter 7 Fiction and Fictional Truth
Chapter 4 Intentions and Oeuvres
Conclusion
Chapter 6 Intention and the Interpretation of Art
Chapter 1 What Are Intentions?
Chapter 3 Authorship, Individual and Collective
Chapter 5 Texts, Works, Versions (With Reference to the Intentions of Monsieur Pierre Menard)
Chapter 2 Intention and the Creation of Art
Complete Artworks without Authors
Art and Intention
| Unique citing works | 10 |
|---|---|
| Citations per year | 0,48 |
| Citation span | 2005 - 2023 (19) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 10 |