Fakes and Forgeries
Datos Bibliográficos
| ID | 4160294 |
|---|---|
| Autores | Hunter Steele (autor de correspondencia) |
| Año | 1977 |
| Volumen | 17 |
| Número | 3 |
| Páginas | 254-258 |
| Fecha de publicación | 1977-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The British Journal of Aesthetics (JOURNAL) |
| Identificadores de la revista | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Editorial | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/bjaesthetics/17.3.254 |
| OpenAlex | W2059599947 |
| Idioma | EN |
| Citas recibidas | 10 |
Journal Article FAKES AND FORGERIES Get access Hunter Steele Hunter Steele Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 17, Issue 3, SUMMER 1977, Pages 254–258, https://doi.org/10.1093/bjaesthetics/17.3.254 Published: 01 March 1977
Narrative Order, Racial Hierarchy, and "White" Discourse in James Weldon Johnson's The Autobiography of an Ex-Colored Man and Along This Way
Age as Artefact
Reading Fiction with Lucian
Is There a Market for Copies?
Age as Artefact
Ancient art in modern context
Governance under the shadow of the law
Tourism and the management of cultural resources in the Pays Dogon, Mali
Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings
Challenging authenticity
| Obras citantes distintas | 10 |
|---|---|
| Citas por año | 0,3 |
| Intervalo de citas | 1993 - 2020 (28) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 9 |