Musical Materialism
Bibliographic Data
| ID | 4160342 |
|---|---|
| Authors | Chris Tillman (0009-0004-7283-7587, University of Manitoba, corresponding author) |
| Year | 2011 |
| Volume | 51 |
| Issue | 1 |
| Pages | 13-29 |
| Publication date | 2011-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/aesthj/ayq028 |
| OpenAlex | W4250246495 |
| Language | EN |
| Citations received | 10 |
Journal Article Musical Materialism Get access Chris Tillman Chris Tillman University of Manitoba Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 51, Issue 1, January 2011, Pages 13–29, https://doi.org/10.1093/aesthj/ayq028 Published: 01 January 2011
Art · Art history · Materialism · Musical · Sociology · Theology · Visual arts · Diverse Musicological Studies · Music History and Culture · Music Technology and Sound Studies · Philosophy
Intuitions in the Ontology of Musical Works
Spatial music
The Appreciation Game
Musical Mereology
Plenty of Room for Multilocation
Musical Works as Structural Universals
What copredication can(not) teach us
Musical works are mind-independent artifacts
Creating abstract objects
Multiplicity, Audibility, and Musical Continuity
| Unique citing works | 10 |
|---|---|
| Citations per year | 1,67 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 10 |