Form in the Visual Arts
Bibliographic Data
| ID | 4160799 |
|---|---|
| Authors | Virgil C Aldrich (corresponding author) |
| Year | 1971 |
| Volume | 11 |
| Issue | 3 |
| Pages | 215-226 |
| Publication date | 1971-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/bjaesthetics/11.3.215 |
| OpenAlex | W2092461894 |
| Language | EN |
| Citations received | 7 |
Journal Article FORM IN THE VISUAL ARTS Get access Virgil C. Aldrich Virgil C. Aldrich Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 11, Issue 3, SUMMER 1971, Pages 215–226, https://doi.org/10.1093/bjaesthetics/11.3.215 Published: 01 March 1971
Art · Art history · The arts · Visual arts · Visual Culture and Art Theory
Visual Art. Homospatial Thinking in the Creative Process
Homospatial Thinking in the Creative Process
Visual means of artistic expression of Italian social advertising
The Datatext
Metaphor in Visual Displays Designed to Guide Action
Artistic creation as stimulated by superimposed versus separated visual images
Beyond the referential
| Unique citing works | 7 |
|---|---|
| Citations per year | 0.15 |
| Citation span | 1980 - 2022 (43) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |