Three Kinds of Recording and the Metaphysics of Music
Bibliographic Data
| ID | 4160868 |
|---|---|
| Authors | Aron Edidin (0009-0004-8308-7232, corresponding author) |
| Year | 1999 |
| Volume | 39 |
| Issue | 1 |
| Pages | 24-39 |
| Publication date | 1999-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/bjaesthetics/39.1.24 |
| OpenAlex | W1979547390 |
| Language | EN |
| Citations received | 3 |
Journal Article THREE KINDS OF RECORDING AND THE METAPHYSICS OF MUSIC Get access Aron Edidin Aron Edidin USF Sarasota/New College, Division of Humanities5700 N Tamiami Trail, Sarasota, FL 34243, USA Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 1, January 1999, Pages 24–39, https://doi.org/10.1093/bjaesthetics/39.1.24 Published: 01 January 1999
Art · Art history · Epistemology · Literature · Metaphysics · Music Technology and Sound Studies · Musicology and Musical Analysis · Philosophy
| Citations per year | 0.18 |
|---|---|
| Citation span | 2009 - 2025 (17) |
| Highly cited | No |