Christian Demonology in Contemporary American Popular Culture
Bibliographic Data
| ID | 4188372 |
|---|---|
| Authors | Armando Maggi (0000-0002-0255-9014, corresponding author) |
| Year | 2014 |
| Volume | 81 |
| Issue | 4 |
| Pages | 769-793 |
| Publication date | 2014-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Social research (JOURNAL) |
| Journal identifiers | ISSN: 0037-783X • E-ISSN: 1944-768X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/sor.2014.0054 |
| OpenAlex | W1604919115 |
| Language | EN |
| References cited | 2 |
This essay investigates the pervasive presence of Christian demonology in contemporary American culture. After discussing the concept of demonic possession according to Catholic and Protestant theology, Maggi explores the crucial role played by the ritual of exorcism in modern popular culture, especially cinema. After the collapse of traditional historical categories due to the 9/11 tragedy, popular culture has interpreted the early-modern ritual of exorcism as the locus of a nostalgic return to a hypothetical past. However, the ritual meant to bring order to the chaos created by evil is now a performance leading to troublesome and even pernicious consequences
Aesthetics · Art · Demonology · Exorcism · Literature · Popular culture · Possession (linguistics) · Protestantism · Tragedy (event) · Gothic Literature and Media Analysis · History · Nostalgia and Consumer Behavior · Philosophy · Religious studies · Violence, Religion, and Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |