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The Theory of Haiti

The Black Jacobins and the Poetics of Universal History

Bibliographic Data

ID4195902
AuthorsDavid A Scott (0000-0001-9083-580X), David Scott (0000-0002-4176-0466, corresponding author)
Year2014
Volume18
Issue3
Pages35-51
Publication date2014-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSmall Axe A Caribbean Journal of Criticism (JOURNAL)
Journal identifiersISSN: 1534-6714 • E-ISSN: 0799-0537
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/07990537-2826443
OpenAlexW2164364864
LanguageEN
Citations received7
References cited25

This essay inquires into the uses of Haiti and its revolution as emblematic for contemporary theory. It raises a question about the new “philosophic” construction of Haiti—and its revolution—as an originary or exemplary moment of “human rights,” less to impugn universality as such than to caution that it is always important to ask about the ideological construction of the theory-problems in our scholarship. The essay then turns to a discussion of the problem-space that makes intelligible why and how C. L. R. James's The Black Jacobins is constructed as an exploration of the Haitian Revolution as a question of “universal history.”

Aesthetics · Art · Epistemology · Ideology · Literature · Poetics · Poetry · Political science · Politics · Scholarship · Sociology · Universality (dynamical systems · American Constitutional Law and Politics · Foucault, Power, and Ethics · Law · Philosophy · Race, History, and American Society

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Unique citing works7
Citations per year0,7
Citation span2016 - 2023 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 7

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