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Speaking in Tongues

Metapictures and the Discourse of Violence in Caribbean Art

Bibliographic Data

ID4196016
AuthorsErica Moiah James (corresponding author)
Year2012
Volume16
Issue1
Pages119-143
Publication date2012-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSmall Axe A Caribbean Journal of Criticism (JOURNAL)
Journal identifiersISSN: 1534-6714 • E-ISSN: 0799-0537
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/07990537-1548137
OpenAlexW2140903594
LanguageEN
Citations received1
References cited13

Violence, trauma, and memory are fundamental factors of Caribbean modernity but have thus far been underexamined within art history and criticism. This essay explores the invisible yet palpable presence of violence in the genre of family portraiture and the contemporary redeployment of this genre in Edouard Duval-Carrié's Mardi Gras at Fort Dimanche (1992) and Ebony G. Patterson's Entourage (2010). As metapictures (following W. J. T. Mitchell), Duval-Carrié and Patterson's art detonate the expectation of stillness attached to genre. Instead, these works challenge, illuminate, and reform interdiscursive Caribbean epistemologies of violence, trauma, and memory that continue to reverberate across space and time

Aesthetics · Art · Criticism · Literature · Modernity · Caribbean and African Literature and Culture · Caribbean history, culture, and politics · History · Philosophy · Postcolonial and Cultural Literary Studies

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Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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