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Forêts del Sur and the Pretexts of Glissant's Tout-Monde

Bibliographic Data

ID4196152
AuthorsAlvan A Ikoku, Alvan Ikoku (corresponding author)
Year2015
Volume19
Issue2
Pages1-28
Publication date2015-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSmall Axe A Caribbean Journal of Criticism (JOURNAL)
Journal identifiersISSN: 1534-6714 • E-ISSN: 0799-0537
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/07990537-3139346
OpenAlexW1895955608
LanguageEN
Citations received2
References cited5

This essay details the implications of focusing on the forest as a point of figuration and analysis for a world literature emanating from English-, French-, and Spanish-language work on the Caribbean. Of primary interest are two instances of meta- and paratextual comment on forests in the South: André Breton and André Masson's Martinique: Charmeuse de serpents and Alejo Carpentier's uses of José Martí and Wifredo Lam in his prologue to El reino de este mundo. Though Carpentier is known for his rejection of Breton and Masson's surreal forest for Lam's visual representation of the marvelous in the Caribbean selva, Ikoku suggests that Breton, Masson, and Carpentier were each committed to a territorialization of the Antilles, and as alternatives, he offers Lam's translation of Aimé Césaire and Edouard Glissant's explorations of William Faulkner-both attempts to deterritorialize an oeuvre known for its grounded, rooted character, and thus important approaches for landscaping a global South and, by extension, a contemporary world literature

Art · Art history · Caribbean literature · Character (mathematics · Ethnology · Humanities · Literature · Martinique · West indies · Caribbean and African Literature and Culture · History · Latin American and Latino Studies · Literature, Magical Realism, García Márquez

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Unique citing works2
Citations per year0,17
Citation span2014 - 2022 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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