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Russia! What Do You Want of Me

The Russian Reading Public inDeadSouls

Bibliographic Data

ID4205207
AuthorsAnne Lounsbery (corresponding author)
Year2001
Volume60
Issue2
Pages367-389
Publication date2001-01-01
Open AccessYes
TypeARTICLE
VenueSlavic Review (JOURNAL)
Journal identifiersISSN: 0037-6779 • E-ISSN: 2325-7784
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/2697275
OpenAlexW2327442853
LanguageEN
References cited9

This article analyzes the role of Russia's changing readership and incipient print culture inDead Souls. Though Nikolai Gogol' was received in salon society, his primary allegiance was to print and the broad (and thus unsophisticated) readership that was beginning to buy and read printed texts. Like other of Gogol"s works ("On the Development of Periodical Literature in 1834 and 1835," "The Portrait"),Dead Soulsreflects the author's awareness of the severe limitations of this audience, especially their desire for conventional plot devices and their eagerness for characters with whom to identify. AlthoughDead Soulsinvites readers' participation, it also reflects Gogol"s growing skepticism about inexperienced readers' attempts to create meaning, his disdain for their judgment, and his desire to assert total control over the meaning of his art. Lounsbery considersDead Souls' reception and situates Gogol"s work in the context of the appearance ofLibrary for Readingin 1834 and other writers' approaches to the problem of Russia's reading public (notably Faddei Bulgarin and Osip Senkovskii

Aesthetics · Allegiance · Art · Art history · Audience measurement · Context (archaeology · Epistemology · Literature · Meaning (existential · Media studies · Political science · Politics · Portrait · Reading (process · Russian literature · Skepticism · Sociology · European Cultural and National Identity · History · Law · Philosophy · Russian Literature and Bakhtin Studies · Themes in Literature Analysis

  • Polnoe sobranie sochineniĭ

    Aleksandr Ivanovich Vvedenskiĭ•Polnoe sobranie sochineniĭ•1980

  • Reconstructing Gogol's Destroyed Tragedy on a Theme from the History of Zaporozhe

    Paul A Karpuk•The Slavic and East European…•1997

  • Essays on Gogol

    Milton Ehre, Susanne Fusso et al.•The Slavic and East European…•1993

  • Literature and Society in Imperial Russia, 1800-1914

    Victor Terras, William Mills Todd•The Russian Review•1979

  • Modelling the Reading Act

    Open Access•Judith Robey•Slavic Review•1997

  • A Requiem for Aristocratic Art

    David Herman, Pushkin et al.•The Russian Review•1996

  • Gogol's Captain Kopeikin and Cervantes' Captive Captain

    Bruce T Holl•The Russian Review•1996

Highly citedNo

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