Kheraskov's Gonimye
Shakespeare's Second Appearance in Russia
Bibliographic Data
| ID | 4205268 |
|---|---|
| Authors | Michaël Green (0000-0002-5488-3828, corresponding author) |
| Year | 1976 |
| Volume | 35 |
| Issue | 2 |
| Pages | 249-257 |
| Publication date | 1976-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Slavic Review (JOURNAL) |
| Journal identifiers | ISSN: 0037-6779 • E-ISSN: 2325-7784 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.2307/2494591 |
| OpenAlex | W2312282891 |
| Language | EN |
| References cited | 2 |
Some seventeen years ago, P. N. Berkov wrote: "The least-known aspect of the still comparatively unexplored field of Anglo-Russian cultural relations in the eighteenth century is that of the history of the stage and of stage-plays." The statement is hardly less true today. Berkov went on to say that a single question-"that of how far the Russian reader and theatergoer was familiar with Shakespeare's work"-had attracted the lion's share of scholarly attention. Even in this area, however, work remains to be done, and it will be the aim of the present essay, by demonstrating the relationship between Kheraskov's drama Gonimye and Shakespeare's The Tempest, to add a small but necessary link to the chain of our knowledge of Shakespeare in Russia
Art · Drama · Literature · Political science · Russian literature · Statement (logic · Tempest · Classics · Cultural, Linguistic, Economic Studies · Historical Art and Culture Studies · History · Law · Shakespeare, Adaptation, and Literary Criticism
| Highly cited | No |
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