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High Modernism in Theory and Practice

Karel Teige and Tomáš Bat'a

Bibliographic Data

ID4209705
AuthorsJessica E Merrill (0000-0002-8310-140X), Jessica Merrill (corresponding author)
Year2017
Volume76
Issue2
Pages428-454
Publication date2017-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSlavic Review (JOURNAL)
Journal identifiersISSN: 0037-6779 • E-ISSN: 2325-7784
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/slr.2017.85
OpenAlexW2729744032
LanguageEN
Citations received2
References cited17

This article compares Tomáš Bata's development of Zlín as a company town with the architectural theory of Karel Teige. Despite political differences- Bat'a was a champion of "American" capitalism, Teige a leader of the leftist avant-garde-they had unexpectedly similar ideas about architectural design and city planning. The article uses James C. Scott's definition of high modernism as a starting point to explain these commonalities, historically contextualizing the two men's thinking as a specific iteration of this ideology. Both, for instance, paradoxically sought to incorporate liberal, democratic values (typical of the rhetoric of state building in interwar Czechoslovakia) into their authoritarian plans. This analysis helps explain subsequent, socialist architectural developments, in which Teige's theory and Bat'a's practices were combined. In this, the article contributes to an understanding of Czechoslovakia's post-1948 cultural history not in terms of impositions from Moscow, but as building on native institutions

Aesthetics · Archaeology · Art · Art history · Authoritarianism · Capitalism · Champion · Democracy · Ideology · Karel · Left-wing politics · Manifesto · Modernism (music · Political science · Politics · Rhetoric · Sociology · Technocracy · Urbanism · Architecture · History · Law · Philosophy · Urbanization and City Planning

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Unique citing works2
Citations per year0,29
Citation span2019 - 2023 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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