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Investigations into the Unpoliced Novel

Moll FlandersandThe Comely Cook

Bibliographic Data

ID4210127
AuthorsEmma Lieber (0009-0005-8013-749X, corresponding author)
Year2015
Volume74
Issue3
Pages575-596
Publication date2015-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSlavic Review (JOURNAL)
Journal identifiersISSN: 0037-6779 • E-ISSN: 2325-7784
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.5612/slavicreview.74.3.575
OpenAlexW2380255624
LanguageEN
References cited19

Taking its cue from Lev Tolstoi's claim, in "A Few Words Apropos of the BookWar and Peace," that the Russian novel is a "deviation from European form," this article investigates deviance as a formal and thematic aspect of the Russian novel. Concentrating on Mikhail Chulkov'sThe Comely Cookas an early exemplar of the Russian novel form, and locating its deviance against the backdrop of Daniel Defoe'sMoll Flanders(the English novel with which it is most frequently paired), I examine both formal matters and the texts' thematic and imaginative clusters. These questions of commercialism, capital, and the role of money; of gender difference, the regulation of sexuality and pleasure, and bodily life generally; of Oedipal family arrangements and communal organization; and of repetition and the production of the new are especially at stake in investigating issues of normativity and abnormality, or regularity and deformity, as they are given shape in the works. In particular, this article concentrates on the police as a multivalent literary, and particularly novelistic, construct to present the Russian novel as a distinctively unpoliced and unregulated genre whose lawlessness is brought into relief by the culture of discipline and legality that pervades Defoe's work

Aesthetics · Art · Deviance (statistics · Human sexuality · Lawlessness · Literature · Pleasure · Political science · Politics · Sociology · Crime and Detective Fiction Studies · Crime, Deviance, and Social Control · Gender Studies · History · Law · Philosophy · Psychology

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  • The Queer Art of Failure

    Open Access•Jack Halberstam, Judith Halberstam•Queer Art of Failure•2011

  • In a Queer Time and Place

    Jack Halberstam, J Jack Halberstam•In a Queer Time and Place•2022

Citation velocityhistorical
Highly citedNo

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