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Tracing the païdeuma in Aimé Césaire's poetry

From 'Solar Throat Slashed (Soleil Cou-Coupé)' to 'Cadaster (Cadastre)

Bibliographic Data

ID4224632
AuthorsJanice Horner Kaufman (corresponding author)
Year2003
Volume77
Issue1-2
Pages85-104
Publication date2003-01-01
Open AccessYes
TypeARTICLE
VenueNew West Indian Guide / Nieuwe West-Indische Gids (JOURNAL)
Journal identifiersISSN: 1382-2373 • E-ISSN: 2213-4360
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/13822373-90002530
OpenAlexW2076750291
LanguageFR
References cited2

In his book Aime Cesaire: Une traversee paradoxale du siecle , the creoliste Raphael Confiant (1993) harshly criticizes the apparent disassociation between the former deputees revolutionary poetics and his moderate, even ineffectual, political policies. Other critics, including Auguste Armet (1973) and Lilyan Kesteloot (1992) also note the paradox between the poet's inspiration of the African independence and American Black Power movements and his failure to achieve autonomy for his own island nation of Martinique. James Arnold (1981:269) argues that the new independence of African nations of the early 1960s, in contrast with the lack of political change in Martinique, brought about a crisis for the negritude prophet of political revolution that led him to abandon poetry for the theater. In his discussion of Cesaire's (1967) play A Season in the Congo (Une saison au Congo), Jacques Corzani (1978:17) writes that the poet-turned-playwright seemed to have renounced the term and the ideology of negritude beginning in 1971. I believe that Cesaire underwent an even earlier disillusionment with negritude as a worldwide movement of black liberation. The term first appeared in 19391 in Cesaire's (1983) Notebook of a Return to the Native Land ( Cahier d'un retour au pays natal), but by the early 1960s the poet realized that the literary and political movement that negritude had engendered was being superseded. It was during this critical period that Cesaire edited his 1948 collection of poetry Solar Throat Slashed (Soleil cou-coupe) for its republication in the 1961 volume Cadaster (Cadastre) (both in Cesaire 1983)

Art · Ethnology · Humanities · Literature · Martinique · Poetry · Political science · Politics · West indies · African history and culture studies · Caribbean and African Literature and Culture · Colonialism, slavery, and trade · History · Law

  • Flash of the spirit

    Robert Farris Thompson•Flash of the spirit•1984

  • Frobenius in West African History

    Open Access•J M Ita•The Journal of African History•1972

Highly citedNo

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