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Digital production on Instagram

Vernacular literacies and challenges to schools

Bibliographic Data

ID4256036
AuthorsAndrea Valdivia (0000-0003-3956-1705, University of Chile, corresponding author)
Year2021
Volume60
Issue2
Pages172-182
Publication date2021-04-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheory Into Practice (JOURNAL)
Journal identifiersISSN: 0040-5841 • E-ISSN: 1527-2532
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00405841.2020.1857139
OpenAlexW3112376140
LanguageEN
References cited13

Much of the everyday lives of young people happens on social media, mainly those image-centric platforms, like Instagram. Participation in these platforms has increased practices of meaning-making associated with vernacular literacies. Digital production on Instagram articulates traditions from vernacular writing and photography and is characterized by the mass-circulation, hybridized genres and texts, and the centrality of the image. In this article, I examine the role of image as a precursor of meaning and writing on social media, and the functions and patterns of production present in the practices of 2 Chilean young people. The functions of documentary and testimony; self-expression and identity; sociality, audience, and participation are interwoven with each other and with the patterns that organize the knowledge associated with the production. Based on this discussion, I offer some suggestions in order to broaden the understanding and teaching of writing and digital literacies

Art · Literature · Pedagogy · Production (economics · Sociology · Vernacular · Child Development and Digital Technology · Impact of Technology on Adolescents · Literacy, Media, and Education

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  • Studying social media as semiotic technology

    Søren Vigild Poulsen, Gunhild Kvåle•Social Semiotics•2018

  • Critical Literacy

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  • A Tale of Four Platforms

    Open Access•Saleem Alhabash, Mengyan Ma•Social Media + Society•2017

Citation velocityhistorical
Highly citedNo

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