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The jumara festival of Panamá

Cinema and Body in Motion

Bibliographic Data

ID4261232
AuthorsGabriel Izard (0000-0002-8254-1833, corresponding author)
Year2022
Volume11
Issue1
Publication date2022-07-19
Open AccessYes
TypeARTICLE
VenueProa Revista de Antropologia e Arte (JOURNAL)
Journal identifiersISSN: 2175-6015 • E-ISSN: 2175-6015
PublisherUniversidade Estadual de Campinas (PUBLISHER • BR)
DOI10.20396/proa.v11i1.16614
OpenAlexW4320508185
LanguageEN
References cited19

Based on an ethnography of the First Jumara International In-digenous Film Festival, which took place in an Emberá com-munity in Panama, the aim of this article is to delve deeper into the connection between the processes of ethnicity derived from Indigenous cinema and the processes of ethnicity deri-ved from the meaning given to that cinema at specific even-ts. At Jumara, Indigenous cinema was the reason for affirming Emberá culture and for championing, in a markedly festive and performative way, the group's main demands in a celebration in which the body and its ornamentation took on a special role. It is argued that the ethnographic focus on festivals organized in Indigenous communities makes it possible to fully analyze the committed and activist dimension of Indigenous cinema

Aesthetics · Art · Ethnic group · Ethnography · Ethnology · Indigenous · Meaning (existential · Media studies · Movie theater · Performative utterance · Sociology · Visual arts · Anthropology · Cinema History and Criticism · Cuban History and Society · Gender Studies · Politics and Society in Latin America · Psychology

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Highly citedNo

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