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Le triolet multicolore. Dans la musique sud-africaine, une blanche n'égale pas nécessairement deux noires

Bibliographic Data

ID4266534
AuthorsDenis Martins (0000-0002-4538-5739, corresponding author), Denis Martin
Year1987
Volume25
Issue1
Pages74-81
Publication date1987-01-01
Open AccessNo
TypeARTICLE
VenuePolitique africaine (JOURNAL)
Journal identifiersISSN: 0244-7827 • E-ISSN: 2264-5047
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/polaf.1987.3850
OpenAlexW4376060541
LanguageFR

South African music : a fuzzy triplet... South African music can be perceived as the aesthetical embodiment of a broader dream of cultural unity expressed in different representations and ideologies. History shows that it grew out of many contacts between South Africa's different communities ; today's musical forms blend characters borrowed from their cultural traditions. But, because of segregation and apartheid, South African popular music, in spite of its mixity, has acquired a «black» identity that leads supporters of the «white» powers to categorize its practitioners and fans alike as «pro-African» or «anti-apartheid». What is the most complete expression of the common history of South African peoples has therefore been put into the hands of the African majority which is, now, the only group liable to give it back to South Africa as a whole. In this particular respect, as in some others, music participates in the struggle for the liberation of South Africa

Art · Ethnology · History of Africa · Humanities · Ideology · Musical · Political science · Politics · Sociology · Visual arts · African history and culture studies · Anthropology · Gender Studies · History · Law · Music History and Culture · South African History and Culture

Highly citedNo
Open DOIOpen Access
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