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The Absolved Riddle

Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher

Bibliographic Data

ID4270331
AuthorsHerbert Blau (corresponding author)
Year1986
Volume17
Issue3
Pages539
Publication date1986-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew Literary History (JOURNAL)
Journal identifiersISSN: 0028-6087 • E-ISSN: 1080-661X
PublisherJSTOR (PUBLISHER)
DOI10.2307/468827
OpenAlexW2318670455
LanguageEN
Citations received1

T HE RIDDLE of the Duchess in Women Pleas'd has to do with the Freudian question: What does woman want? That's the question whose subject is the answer to which, as Freud might have guessed without saying, there is no question, which is why the riddle has to be not answered but-as Fletcher has the Duchess say, not once (or intentionally) but prophetically twice-absolved (2.5.112-13),1 as if it never should have been asked. Her daughter's lover Silvio labors and travels through untold cities, consulting Diviners, Dreamers, Schoolemen, deep Magitians, all of whom-like the current discourse on the pleasures of the feminine text-give severall meanings (4.1.3-4), as we might expect from the oracular hermeneutics of an absolutist age. For it is an age which constructs an arcane stability against contingency in a chaos of consultation, as Jonathan Goldberg observes of the ideological mystifications of King James.2 But here is the answer brought back by Silvio, the absolution of the riddle in this curious play

Art · Baroque · Library science · Literature · Pleasure · Political science · Politics · Sovereignty · Subject (documents) · Computer Science · History · Law · Literature: history, themes, analysis · Neuroscience · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism

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Unique citing works1
Citations per year0.04
Citation span1998 - 1998 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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