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Dead Narrators, Queer Terrorists

On Suicide Bombing and Literature

Bibliographic Data

ID4270712
AuthorsDoyle Calhoun (0000-0002-5998-8215, corresponding author)
Year2022
Volume53
Issue2
Pages285-304
Publication date2022-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew Literary History (JOURNAL)
Journal identifiersISSN: 0028-6087 • E-ISSN: 1080-661X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/nlh.2022.0013
OpenAlexW4293382247
LanguageEN

Even as suicide bombing attacks have become a disturbingly regular feature of today's geopolitical landscape, the phenomenon continues to figure an upper limit to thinking on contemporary violence. As psychoanalyst Jacqueline Rose writes in The Last Resistance , suicide bombing is considered "a peculiarly monstrous, indeed inhuman, aberration that cannot—or indeed must not—be understood."1 Although statistically, Rose points out, suicide bombings claim far fewer victims than acts of conventional warfare and state violence, neoliberal democracies in the West reserve a special kind of dread and antipathy for the suicide bomber. Perhaps this is because suicide terrorist attacks, as Alex Houen suggests, are both "experienced and expressed as hyperbole ," or because they provoke a public response that can only be classified in terms of sheer "horror."2

Antipathy · Criminology · Human rights · Hyperbole · Metaphor · Political science · Politics · Psychoanalysis · Queer · Sociology · State (computer science) · State of exception · Terrorism · Torture · Uncanny · Contemporary Literature and Criticism · Gender Studies · History · Law · Philosophy · Psychology

Citation velocityhistorical
Highly citedNo

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