Fictionality in Mantegna's San Zeno Altarpiece Structures of Mimesis and the History of Painting
Bibliographic Data
| ID | 4270724 |
|---|---|
| Authors | Felix Thurlemann, Cheryl Spiese Mckee |
| Year | 1989 |
| Volume | 20 |
| Issue | 3 |
| Pages | 747 |
| Publication date | 1989-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | New Literary History (JOURNAL) |
| Journal identifiers | ISSN: 0028-6087 • E-ISSN: 1080-661X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/469365 |
| OpenAlex | W2314169006 |
| Language | EN |
| Citations received | 1 |
Cheryl Spiese McKee, Fictionality in Mantegna's San Zeno Altarpiece Structures of Mimesis and the History of Painting, New Literary History, Vol. 20, No. 3, Greimassian Semiotics (Spring, 1989), pp. 747-761
Altarpiece · Art · Art history · Epistemology · Painting · Zeno's paradoxes · Aesthetic Perception and Analysis · Philosophy · Renaissance and Early Modern Studies · Visual Culture and Art Theory
| Citations per year | 0.08 |
|---|---|
| Citation span | 2014 - 2014 (1) |
| Highly cited | No |