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Context and the "Impossibility" Trope

Datos Bibliográficos

ID4270886
AutoresDavid Greetham (autor de correspondencia)
Año2011
Volumen42
Número4
Páginas719-738
Fecha de publicación2011-09-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaNew Literary History (JOURNAL)
Identificadores de la revistaISSN: 0028-6087 • E-ISSN: 1080-661X
EditorialProject MUSE (PUBLISHER • US)
DOI10.1353/nlh.2011.0037
OpenAlexW2125257526
IdiomaEN
Referencias citadas9

Context has always been a major issue in textual scholarship, especially in determining whether a particular reading in a text is to be judged as "impossible" given the linguistic and cultural context in which it occurs. This "impossibility" trope, first enunciated by the "conservative" critic R. B. Mckerrow, is used as a template for discussing a wide array of examples in which the "inside" and "outside" of a text seem to be in conflict. These range from "Slutwalks" in India to our ability to "correct" faulty street signs to the diagnosis of autism to Peter Greenaway's audio-video installation of Veronese's Wedding at Cana at the 2009 Venice Biennale. Throughout, the Derridean metaphor of "invagination" provides a useful vehicle for the discussion

Aesthetics · Art · Context (archaeology) · Epistemology · Impossibility · Linguistics · Literature · Metaphor · Political science · Reading (process) · Scholarship · Sociology · Trope (literature) · Digital Humanities and Scholarship · History · Law · Media, Communication, and Education · Philosophy · Translation Studies and Practices

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Velocidad de citaciónhistorical
Altamente citadoNo
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