Race, Tradition, and the Construction of the Caribbean Aesthetic
Bibliographic Data
| ID | 4271789 |
|---|---|
| Authors | Belinda Edmondson (corresponding author) |
| Year | 1994 |
| Volume | 25 |
| Issue | 1 |
| Pages | 109 |
| Publication date | 1994-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | New Literary History (JOURNAL) |
| Journal identifiers | ISSN: 0028-6087 • E-ISSN: 1080-661X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/469443 |
| OpenAlex | W2073521857 |
| Language | EN |
| Citations received | 3 |
mostly Afro-Caribbean audience that she may as well be invisible: no one had discussed East Indian women's representations, concerns, or writings for the entire three days, and she was tired of being the conference token. The session was thrown into disarray as participants accused the scholar of fostering divisiveness in appropriating the term tokenwhich as we know is usually reserved for black representation in white discourses. The second incident occurred during opening remarks made by a Jamaican scholar, who in her discussion of the constitution of a Caribbean aesthetic observed that the works of Guadeloupe author Simone Schwartz-Bart are to be considered West Indian literature
Caribbean history, culture, and politics · Cuban History and Society
| Citations per year | 0.17 |
|---|---|
| Citation span | 2008 - 2018 (11) |
| Highly cited | No |