Malabouian Plasticity Beyond Surfaces
Bibliographic Data
| ID | 4275503 |
|---|---|
| Authors | James Martell (0000-0002-4775-1448, corresponding author) |
| Year | 2021 |
| Volume | 54 |
| Issue | 1 |
| Pages | 93-112 |
| Publication date | 2021-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Mosaic (JOURNAL) |
| Journal identifiers | ISSN: 0027-1276 • E-ISSN: 1925-5683 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mos.2021.0006 |
| OpenAlex | W4379616632 |
| Language | EN |
| Citations received | 2 |
This essay investigates Malabou's notion of plasticity, confronting it with the visual or plastic arts. It shows how overlooking all surfaces of inscription allows Malabou to promote a purely dynamic notion of plasticity that she sees in both neurological and philosophical processes, purportedly going beyond aesthetics and philosophies of the trace
Aesthetics · Art · Cognitive science · Epistemology · Linguistics · Physics · Plastic arts · Plasticity · The arts · TRACE (psycholinguistics) · Visual arts · Advanced Materials and Mechanics · Philosophy · Psychology · Structural Analysis and Optimization
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,67 |
| Citation span | 2023 - 2025 (3) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |