Phantasmatics
Sovereignty and the Image of Death in Derrida's First Death Penalty Seminar
Datos Bibliográficos
| ID | 4275506 |
|---|---|
| Autores | Gwynne Fulton (autor de correspondencia) |
| Año | 2015 |
| Volumen | 48 |
| Número | 3 |
| Páginas | 75-94 |
| Fecha de publicación | 2015-09-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Mosaic (JOURNAL) |
| Identificadores de la revista | ISSN: 0027-1276 • E-ISSN: 1925-5683 |
| Editorial | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mos.2015.0033 |
| OpenAlex | W1412820628 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 8 |
By way of a double reading of the temporality of guillotine and photography in the anonymous 1939 film of the execution of Eugène Weidmann, this essay examines the putative instantaneity of death, which posits life as that which happens only before death
Art · Epistemology · Linguistics · Literature · Photography · Political science · Politics · Psychoanalysis · Reading (process) · Sovereignty · Temporality · Visual arts · Hannah Arendt's Political Philosophy · History · Law · Philosophy · Philosophy, Ethics, and Existentialism · Psychology · Walter Benjamin Studies Compilation
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,2 |
| Intervalo de citas | 2016 - 2018 (3) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 2 |