A Fantasy of One's Own
Rooms in Hitchcock's Vertigo and Baudelaire's Prose Texts
Bibliographic Data
| ID | 4275551 |
|---|---|
| Authors | Vlad Dima (0000-0001-5969-9205, corresponding author) |
| Year | 2012 |
| Volume | 45 |
| Issue | 4 |
| Pages | 69-84 |
| Publication date | 2012-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Mosaic (JOURNAL) |
| Journal identifiers | ISSN: 0027-1276 • E-ISSN: 1925-5683 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mos.2012.0049 |
| OpenAlex | W1979652975 |
| Language | EN |
| References cited | 3 |
This essay explores connections between Alfred Hitchcock's Vertigo and Charles Baudelaire's prose texts. The main character of the film and the narrator of the prose texts are both confined emotionally in their own dreams and fantasies, but also physically, in a multitude of restricting, prison-like rooms that mirror the dynamic of the unconscious
Art · Character (mathematics) · Epistemology · Fantasy · Literature · Multitude · Psychoanalysis · Unconscious mind · French Literature and Poetry · Philosophy · Poetry Analysis and Criticism · Psychology · Visual Culture and Art Theory
| Highly cited | No |
|---|