The Transparent Eyeball
On Emerson and Walker Evans
Bibliographic Data
| ID | 4275601 |
|---|---|
| Authors | Caroline Blinder (corresponding author) |
| Year | 2022 |
| Volume | 55 |
| Issue | 3 |
| Pages | 133-147 |
| Publication date | 2022-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Mosaic (JOURNAL) |
| Journal identifiers | ISSN: 0027-1276 • E-ISSN: 1925-5683 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mos.2022.a948454 |
| OpenAlex | W1960030762 |
| Language | EN |
Taking Emerson's "Nature" as its starting point, this paper argues that in Lincoln Kirstein's and William Carlos Williams's readings of Evans as a visionary artist of the vernacular, Emersonian ideals were always part and parcel of the search for an intrinsically American manifesto of photography
Art · Computer graphics (images) · American Sports and Literature · Computer Science · Philosophy · Pragmatism in Philosophy and Education
| Highly cited | No |
|---|