L'Antichambre litt raire
Roland Barthes's Regressive Search
Bibliographic Data
| ID | 4275643 |
|---|---|
| Authors | Jeff Fort (corresponding author) |
| Year | 2020 |
| Volume | 53 |
| Issue | 4 |
| Pages | 23-48 |
| Publication date | 2020-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Mosaic (JOURNAL) |
| Journal identifiers | ISSN: 0027-1276 • E-ISSN: 1925-5683 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mos.2020.0036 |
| OpenAlex | W4379742897 |
| Language | EN |
This essay shows that Roland Barthes's La Chambre claire, a work engaged in a revolt against the author's former critical positions, is overdetermined by a desire, announced contemporaneously in his seminars, to write a novel roughly modeled on the Proustian Search; that this Search, as echoed and pursued in this text, drastically distorts and narrows its treatment of photography; and that this restricted treatment of photography, centred on the well-known studium/punctum distinction, reveals a troubling impassivity before images of historical violence, which in turn is linked with a number of regressive gestures and attitudes with deep and likewise troubling political implications
Aesthetics · Art · Art history · Gesture · Overdetermined system · Photography · Political science · Politics · Psychoanalysis · Sociology · Visual arts · French Literature and Critical Theory · French Literature and Criticism · French Literature and Poetry · Law · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |