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The Dja Dja Wurrung Bark Etchings Case

Bibliographic Data

ID4282913
AuthorsLyndel V Prott (Australian National University, corresponding author)
Year2006
Volume13
Issue2
Pages241-246
Publication date2006-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of Cultural Property (JOURNAL)
Journal identifiersISSN: 0940-7391 • E-ISSN: 1465-7317
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0940739106060139
OpenAlexW2152512132
LanguageEN
Citations received3

A recent Australian case has clearly illustrated the tensions between export regulations and the circulation of important cultural works through international exhibition. So far such claims have involved efforts of heirs of collectors to seize works of art appropriated in another country and temporarily located outside that country for exhibition, such as the claim by the Altman heirs in the United States or of Schuckina in France-a situation dealt with in many cases by indemnity statutes which prevent their seizure. This case involved the sensitivity of indigenous people who regard the work in question as part of their cultural heritage

Art history · Economics · Economy · Exhibition · Indemnity · Indigenous · Political science · Statute · Work (physics · Archaeological Research and Protection · Copyright and Intellectual Property · Cultural Heritage Management and Preservation · Engineering · History · Law

  • The presence of absence

    Khadija Von Zinnenburg Carroll•World Art•2014

  • Immunity from Seizure and Suit in Australia

    Open Access•Charlotte Forrest, Craig Forrest•International Journal of Cultural…•2014

  • "The Law, Politics, and "Historical Wounds

    Elizabeth Willis•International Journal of Cultural…•2008

Unique citing works3
Citations per year0,17
Citation span2008 - 2014 (7)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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