O valido em cena. Política, história e crítica social em ¿Cómo ha de ser el privado?, de Francisco de Quevedo
Bibliographic Data
| ID | 4296219 |
|---|---|
| Authors | Ricardo De Oliveira (0000-0001-6375-8810, Universidade Federal Rural do Rio de Janeiro, corresponding author), Karenina Do Nascimento Rodrigues (0009-0001-2158-2180, Universidade Federal Rural do Rio de Janeiro) |
| Year | 2014 |
| Volume | 40 |
| Issue | 1 |
| Pages | 45 |
| Publication date | 2014-12-17 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Estudos Ibero-Americanos (JOURNAL) |
| Journal identifiers | ISSN: 0101-4064 • E-ISSN: 1980-864X |
| Publisher | Edipucrs (PUBLISHER • BR) |
| DOI | 10.15448/1980-864x.2014.1.14023 |
| OpenAlex | W2169030452 |
| Language | PT |
The valido was a polemic personage during the 17th century in the ambit of the political culture on the Ancien Regime. This article aims to provide an analysis of how valido was treated within the genre of dramaturgy called Comedia de la Privanza, in keeping with Francisco de Quevedo’s comedy ¿Cómo ha de ser el privado?, which poses relevant questions about the phenomenon of valimento, as well as Quevedo’s controversial relationship with the Count-Duke of Olivares’ regime, valido of Felipe IV
Art · Dramaturgy · Humanities · Literature · Political science · Politics · Early Modern Spanish Literature · Historical and Literary Analyses · Law
| Highly cited | No |
|---|