A Seat at the Table
Notes of an Institutional Creature
Bibliographic Data
| ID | 4299909 |
|---|---|
| Authors | Huey Copeland (corresponding author) |
| Year | 2019 |
| Volume | 168 |
| Pages | 63-78 |
| Publication date | 2019-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/octo_a_00348 |
| OpenAlex | W2948631305 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
In this article, occasioned by the fiftieth-anniversary of the Whitney Independent Study Program, art-historian Huey Copeland considers the vexed intersections of blackness, gender, and institutional critique in the contemporary art world as modeled both by his own practice and that of David Hammons
Aesthetics · Art · Art history · Sociology · Table (database · Visual arts · American History and Culture · Art, Politics, and Modernism · Computer Science · Race, History, and American Society
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2021 - 2021 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |