From the "Aesthetics of Indifference" to "Negative Aesthetics
John Cage and Germany 1958-1972
Bibliographic Data
| ID | 4300596 |
|---|---|
| Authors | Ian Pepper (0000-0001-7978-7632, corresponding author) |
| Year | 1997 |
| Volume | 82 |
| Pages | 30 |
| Publication date | 1997-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/778997 |
| OpenAlex | W2315523078 |
| Language | EN |
| Citations received | 6 |
A selection from the correspondence between Pierre Boulez and John Cage appeared in October 65 (Summer 1993) to mark the publication of the complete letters in a bilingual edition that had begun to fill a lacuna in the Cage literature by partially documenting the period leading up to Cage's breakthrough to chance principles of composition in 1949-50.1 Cage's transition from the composer of works such as the Sonatas and Interludes of 1947-48-which even Heinz-Klaus
Aesthetics · Art · Art history · Cage · John Cage · Performance art · Structural engineering · Diverse Musicological Studies · Engineering · Music Technology and Sound Studies · Musicology and Musical Analysis
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 2005 - 2019 (15) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |