The Function of the Studio
Bibliographic Data
| ID | 4300640 |
|---|---|
| Authors | Daniel Buren, Thomas Repensek |
| Year | 1979 |
| Volume | 10 |
| Pages | 51 |
| Publication date | 1979-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/778628 |
| OpenAlex | W2334676052 |
| Language | EN |
| Citations received | 5 |
Of all the frames, envelopes, and limits-usually not perceived and certainly never questioned-which enclose and constitute the work of art (picture frame, niche, pedestal, palace, church, gallery, museum, art history, economics, power, etc.), there is one rarely even mentioned today that remains of primary importance: the artist's studio. Less dispensable to the artist than either the gallery or the museum, it precedes both. Moreover, as we shall see, the museum and gallery on the one hand and the studio on the other are linked to form the foundation of the same edifice and the same system. To question one while leaving the other intact accomplishes nothing. Analysis of the art system must inevitably be carried on in terms of the studio as the unique space of production and the museum as the unique space of exposition. Both must be investigated as customs, the ossifying customs of art
Art · Art gallery · Art history · Exhibition · Exposition (narrative · Frame (networking · Function (biology · Literature · Nothing · Studio · Visual arts · Architecture and Art History Studies · Computer Science · Cultural Heritage Management and Preservation · Historical Art and Architecture Studies · Philosophy
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,23 |
| Citation span | 2004 - 2025 (22) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |