The Kinetic Icon in the Work of Mourning
Prolegomena to the Analysis of a Textual System
Bibliographic Data
| ID | 4300738 |
|---|---|
| Authors | Annette Michelson (corresponding author) |
| Year | 1990 |
| Volume | 52 |
| Pages | 16 |
| Publication date | 1990-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/778882 |
| OpenAlex | W2321397026 |
| Language | EN |
| Citations received | 22 |
An art historian can approach the subject of these lectures only with the greatest trepidation. Trespassing upon the preserve of many adjacent disciplines (classical and oriental archeology, Egyptology, the history of religion and superstition, philosophy and several others), he has to rely largely on secondary sources and often finds himself confronted with a diversity of opinions, at times about crucial points which he, as a rank outsider, cannot presume to evaluate. . . . To make things worse there is hardly any sphere of human experience where rationally incompatible beliefs so easily coexist and where prelogical, one might also say metalogical, feelings so stubbornly survive in periods of advanced civilization as in our attitude towards the dead
Epistemology · Icon · Programming language · Work (physics · Ancient Egypt and Archaeology · Architecture and Cultural Influences · Computer Science · Engineering · Philosophy · Visual Culture and Art Theory · Mechanical Engineering
Camera Obscura, Camera Lucida
Mass Customization
Post-Communist Notes on Some Vertov Stills
Contemporary Art and the Politics of Aesthetics
Citizen Cursor
Experimental Communities
Précarité, Autorité, Autonomie
Neo-Dada 1951-54
Dada’s Event
Mass Customization
The Romantic Work of Art
Thinking Red
From Classical to Postclassical Beauty
Theater und Medien / Theatre and the Media
Fotogenia no cinema contemporâneo
Technologies of Belonging
Referencias fílmicas en el ensayo "La obra de arte en la época de su reproductibilidad técnica" de Walter Benjamin
Pasolini on Terra Sancta
The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking
Mapping Intermediality in Performance
Camera Obscura, Camera Lucida
Montadoras como espectadoras
| Unique citing works | 22 |
|---|---|
| Citations per year | 0,79 |
| Citation span | 1998 - 2024 (27) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 21 |