Duchamp with Mallarmé
Bibliographic Data
| ID | 4300798 |
|---|---|
| Authors | Thierry Davila (Institut Marcel Mauss, corresponding author) |
| Year | 2020 |
| Volume | 171 |
| Pages | 3-26 |
| Publication date | 2020-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/octo_a_00376 |
| OpenAlex | W3011121981 |
| Language | EN |
The poet Stéphane Mallarmé was always a key figure for Marcel Duchamp and a major ally in the quest to invent the art of the future. In this essay, Thierry Davila essay focuses in particular on three aspects of this relationship: the window (translucency), an object celebrated by the poet and the artist; the life of fluids (smoke, wind); and nothingness. Through these themes, the text also proposes an interpretation of the readymade and the infra-thin
Art · Art history · Epistemology · Interpretation (philosophy · Key (lock · Linguistics · Literature · Nothing · Object (grammar · Art, Politics, and Modernism · Computer Science · French Literature and Critical Theory · French Literature and Poetry · Philosophy
| Highly cited | No |
|---|