Selective Authenticity

Civil War Reenactors and Credible Reenactments

Bibliographic Data

ID4300880
AuthorsGregory Hall
Year2016
Volume29
Issue3
Pages413-436
Publication date2016-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Historical Sociology (JOURNAL)
Journal identifiersISSN: 0952-1909 • E-ISSN: 1467-6443
PublisherWiley (PUBLISHER • GB)
DOI10.1111/johs.12089
OpenAlexW2133131259
LanguageEN
Citations received6
References cited18

This article addresses authenticity and how it is selectively used by Civil War reenactors to create credible reenactments. The Civil War provides a structured set of scenarios for reenactors to use as a backdrop for their participation. Some use this backdrop to bring objects to the forefront and others use this setting as a way to interact with an audience person to person. This research indicates that authenticity may come through on different levels for individuals participating in the same activity. An authentic experience or object is authentic because it has an important immediate meaning. The objects and narratives displayed by reenactors may be set in specific history but this does not mean that these same objects and narratives are part of that history. This paper contributes to the study of authenticity by examining groups of Civil War reenactors and where their focus of authenticity lies whether it is on authentic objects or interactions

Advertising · Art · Business · Focus (optics · Literature · Meaning (existential · Narrative · Object (grammar · Set (abstract data type · Sociology · Computer Science · Memory, Trauma, and Commemoration · Psychology · Vietnamese History and Culture Studies · World Wars: History, Literature, and Impact · Artificial Intelligence

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