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A Vertical World

The Eastern Alps and Modern Mountaineering

Bibliographic Data

ID4301282
AuthorsKerwin Lee Klein
Year2011
Volume24
Issue4
Pages519-548
Publication date2011-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Historical Sociology (JOURNAL)
Journal identifiersISSN: 0952-1909 • E-ISSN: 1467-6443
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1467-6443.2011.01417.x
OpenAlexW1599390572
LanguageEN
Citations received9

New sporting practices of modernity were products of complex dynamics of cultural remaking. Most accounts of the emergence of alpinism describe the new activity as part of modernization. As ways of seeing mountains changed, so did ways of moving in them. This involved a sharp break with the British gentlemanly preference for climbing without technical assistance. Modernists and alpinists found a new common ground in the Ostalpen of Tirol, a place commonly represented as one of the most traditional and Catholic locations in central Europe. In mountaineering, we may imagine a similar turn to that of artistic modernists. This article explores how the region pulled together two apparently oppositional cultural forces. In this process, there is no simple grand narrative of modernization that creates an international sporting culture of the mountains: on the one hand, in popular culture, the Ostalpen and the Dolomites in particular represented premodern forms of religiosity, from Orientalist aesthetics to the most conservative styles of Catholicism; on the other hand, the region served as a proving ground for the most technologically advanced and self-consciously modern forms of alpinism

Aesthetics · Archaeology · Art · Climbing · Literature · Modernity · Modernization theory · Mountaineering · Narrative · Orientalism · Political science · Religiosity · Sociology · Sport and Mega-Event Impacts · Sports, Gender, and Society · History · Law

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Unique citing works9
Citations per year0,64
Citation span2012 - 2026 (15)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 9

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